The Difference Between Full-Frame and Crop Sensor DSLR Cameras

In Gear by Jim Harmer83 Comments

crop frame

Camera sensors

One member of our community, Sean Allen, sent in a question to me through our Facebook Fan Page, asking the difference between full frame and crop sensor DSLR cameras.   Some of you may already know the answer to this question.  If you do, please share your knowledge in a comment below.

Welcome to the Full frame vs. crop frame DSLR camera debate!


Back in the stone age when we all used film, 35mm became the gold standard film size.  When we switched over to digital, there was no film to be used.  On most DSLR cameras, the digital imaging sensor, which replaces film, is significantly smaller than 35mm film.   In 2002, the first sensor that equaled the size of 35mm film was produced.

Canon was the first mainstream camera manufacturer to produce a DSLR camera with a sensor the size of 35mm film.  I can just imagine how the meeting went when the executives at the Canon marketing department sat down and tried to think of a way to make their new DSLR seem ultra-incredible and make everyone else's camera seem like it was half a camera.  They accomplished this task by calling their 35mm equivalent sensor a “Full frame” DSLR camera, and decided to call all other DSLR cameras “Crop frame” cameras.

The marketing worked.  Many photographers feel like they have only half a camera unless they get the new, shiny “full frame” DSLR.  The truth is that the “Full frame” sensors aren't “full” at all.  It is an arbitrary size that was chosen at some point long in the past.  Obviously, a much larger sensor could be produced.  If this ever happens, I'm sure the marketing department at Canon or Nikon will have another meeting.

The truth is that a more correct name for “full frame” would be “35mm equivalent sensor.”  The correct name for a “crop frame” sensor would be “APS-C sized sensor.”  Sometimes, politically correct photographers will refer to full frame and crop frame with these names, so they are handy to know.

The Benefits of Full Frame DSLR Cameras

Full Frame Advantage #1: Low-light performance.  Digital imaging sensors have tiny little light sensors that record light and produce a pixel.  The tiny sensors are called photosites.  Naturally, the larger the photosite, the more ability it has to capture weak light signals.  Picture it like a satellite dish.  Therefore, when all other factors are equal, a full frame sensor will always perform with less noise at high ISOs than “crop frame” DSLR cameras.

Full Frame Advantage #2: Depth-of-Field. You may have noticed that although your point-and-shoot has an f/1.8 lens, it is nearly impossible to accomplish short depth-of-field on most point-and-shoots.  The reason is that the sensor size affects apparent depth-of-field.  Since a 35mm equivalent (full frame) sensor is larger, it can accomplish more shallow apparent depth of field than an APS-C sized (crop sensor) camera.

Full Frame Advantage #3: Viewfinder Brightness.  Because full frame cameras use larger lenses, they can produce a brighter viewfinder image.  Very handy.

Full Frame Advantage #4: Pro bodies.  Unfortunately, both Canon and Nikon do not make DSLRs with all the bells-and-whistles in a crop sensor format.  In my opinion, this is a shame.  Still, it's the world we live in.  Those who simply prefer a crop sensor camera cannot get all the same ultra high-end features available on the full frame bodies.  Ugh!

The Drawbacks to Full Frame DSLR Cameras

Full Frame Problem #1: Cost. Imaging sensors are cut out of large sheets of expensive chips called wafers.  Since a full frame sensor is larger, only 20 sensors can be cut out of a standard-sized wafer.  This, among other similar production costs, means that Full Frame DSLR cameras will always come at a premium.

Full Frame Problem #2: Field of view.  This is both a drawback and a benefit.  Landscape photographers like full frame cameras because it makes all lenses seem like they are zoomed out more.  You might think of crop sensor cameras as having a built-in zoom of 50 or 60%.  This is a blog post all of itself to fully explain.  Just know that SOME wildlife photographers choose a crop frame camera to get the extra zoom and landscape photographers almost universally prefer full frame, even though a crop frame camera can achieve the same wide angle of view by buying a wide angle lens built for a crop frame camera, like the fantastic Nikon 10-24mm.  Just to be technically correct, the sensor size doesn't magnify the scene at all, it just restricts the field of view.

Full Frame Problem #3: Weight.  The sensor itself barely adds any weight to the DSLR, but it requires larger, heavier, and more expensive lenses.  This means that the gear can be much more cumbersome and awkward to use.

Full Frame Problem #4: Lens availability.  Although full frame lenses will work properly on crop frame DSLRs, the reverse is not true.  Therefore, crop sensor DSLR cameras have a greater variety of lenses available to them.

What this Means for Buying Lenses

On a Canon camera, you should know that a full frame EF lens will work on any EF-S crop sensor body; however, the reverse is not true.  EF-S lenses do not work on full frame Canon bodies.

In the Nikon system, both crop sensor DX lenses and full frame FX lenses will function on crop or full frame bodies; HOWEVER (and it's a big however), if you put a DX lens on a full frame body, you'll see that a significant portion of the edge of the frame is black.  This is caused by the smaller DX lens not reflecting the image onto the full area of the full frame sensor.

So in short, full frame cameras require full frame bodies.  Crop sensor cameras can use either full frame or lenses for crop sensor cameras.  The only difference between Canon and Nikon in this regard is that Canon's crop sensor lenses won't even mount on a full frame Canon, and the Nikon crop sensor lenses will mount just fine but the functionality is mostly useless.

About the Author

Jim Harmer

Facebook Twitter Google+

Jim Harmer is the founder of Improve Photography, and host of the popular Improve Photography Podcast. More than a million photographers follow him on social media, and he has been listed at #35 in rankings of the most popular photographers in the world. Jim travels the world to shoot with readers of Improve Photography in his series of free photography workshops. See his portfolio here.


  1. Benefit #1 = True
    #2 The sensor only indirectly affects the depth of field. Your camera to subject distance is what affects the depth of field, and since a full frame sensor gives you a more complete representation of the lenses field of view, you camera to subject distance will be less there by reducing your depth of field.
    #3 A wide lens will offer a brighter view on either.
    #4 I disagree, the D300 and D50 are both great cameras, Canon downgraded a bit with the D60 but still a great camera, the 5D and D700 are both short of their respective “PRO” counterparts in the D3 and 1Ds and significantly cheaper.
    #1 It is what it is,
    #2 “even though a crop frame camera can achieve the same wide angle of view by buying a wide angle lens built for a crop frame camera” This is extremely deceiving and ultimately not true. An 18mm is an 18mm, The lenses made for crop sensors have the same field of view as there regular build counterparts would if mounted on a crop sensor, not the same field of view as their regular build counterparts would have on a full frame sensor. They can just be made with smaller glass and components since there image circle can be smaller only having to cover the smaller sensor. I have an 18-270 DX for my nikon D300 and I have a 20mm prime mounted on my D700 the 20mm on the full frame is wider on than the 18mmDX on the crop. Even though the 18mm is made for a crop sensor camera the field of view is still only equivalent to 27mm.
    #3 I think you are reaching on this one, I have zero issues syncing up to 1/250 on my D700 exactly as if I were on my APS-C D300, High speed sync would be required to go beyond that regardless of sensor size.
    #4 “This means that the gear is much more cumbersome and awkward to use” You are starting to sound like a “Crop sensor fan boy” Better quality things always have a healthier feel to them. The difference in size and weight between my D300 and D700 is minimal. I don’t see how my D700 is cumbersome or awkward, in contrast, when I pick up a D70 or 60D they feel small and toy like.
    #5 Only true for Canon, I can put a “crop” sensor lens on my full frame D700 and I can chose to have the D700 either “Crop” the sensor or shoot the whole sensor and get everything the lens projects including the black circle of the lens body.

    My opinions, I love my D300, but I love my D700 more. 🙂

    Thanks for the conversation Jim

    1. Excellent explanation. If I had known about these three major advantages I would have jumped into full frame sooner. I thought it was all about speed with full frame. I love the wider angle as I shoot a lot of landscape and the superior low light performance is incredible on full frame. The shallow depth of field makes portrait and macro photography look eye popping.

      And on Nikon if I want the 1.5 crop factor it is a simple setting. So when I go shoot wildlife I turn it on.

  2. Author

    Good points, Kieth. I fully agree with many of your points. Obviously, I can’t get into such detail in every post or else the posts would be unwieldy in length. Some statements may be simplistic, but most readers prefer brevity to political correctness.

    Benefit #2: Yes, you’re correct. It really only affects the APPARENT depth of field, not the optical depth of field.

    Benefit #3: True. Again, trying to be brief.

    Benefit #4: I didn’t say that the crop frame bodies weren’t good. Some of them are FANTASTIC! However, it will be tough to convince me that the crop frame cameras generally have as many high end features as the full frame bodies.

    Drawback #2: If you thought that’s what I meant, then I must not have been very clear. I certainly didn’t mean to say that an 18mm lens will give the same angle of view on either a full frame or crop frame camera. The point I was making is that there are lenses available with crop sensor cameras to get as wide an angle of view as the wide angle lenses for full frame cameras.

    Drawback #3: Probably true. I was reaching 🙂

    Drawback #4: Actually, I am a bit of a crop sensor fanboy in some ways. You’re right that there is little weight difference between the D300 and the D700, but you fail to take into account that the D300 could use DX lenses, which are often MUCH lighter, to achieve the same focal length and aperture as an FX lens for the D700. Most of the time I don’t mind lugging around pro gear, but I have really enjoyed the D7000’s ease of use lately.

    #5: Ugh! You’re right. It will FIT on your camera, but that’s not what I said. I said it won’t WORK on the full frame cameras. I think it’s safe to assume that I meant with full functionality. Not sure if it’s really necessary to be THAT politically correct.

    Thanks for the comments, Kieth. I haven’t seen many podcasts from you lately. What’s the deal?

  3. Author

    However, I will fully admit that while I like a lot of things about crop sensors, I am stoked to buy the D800 when it is released this summer. I hope it matches the hype that is building around it.

  4. 🙂 Thanks for plying Jim, this is one of those topics out there that gets people’s heads spinning. 🙂

    Interested to hear where you heard that the D800 will be released this year.

    The rumor I heard was that the earthquake/tsunami has pushed release of most speculated releases out by as much as two years.

    The D700 is going for full sticker now and the ebay prices have jumped similarly.

  5. Thanks for the post. I teach digital photography and I often have people ask me this question. As a teacher and professional photographer I have found uses for both full frame and cropped cameras. When I shoot weddings I use a Canon 50D with a Canon 18-200 and find that I rarely need anything else. The 50D is (was) reasonable enough in price that I could carry two or three with me at all times… carrying several 1d series was not financially viable for me and the 50D gave me great shots again and again. I also use a 1Ds series to shoot landscapes… not only because my 16mm is a “true” 16, but the full frame camera give me a much different feeling to the photos.

    In terms of the cropped cameras not have all the bells and whistles… I think the Canon 7D comes with most of what anyone might want. True it does NOT have 100,000+ ISO… but who really needs that on a daily basis?

  6. Seems to me, the megapixel count of the full frame 24 x 36 vs the APS sensor does not go up at the same rate as the size would suggest.
    That being said the quality of each photosite seems to render a much better image with what would be considered a low megapixel image in today’s market with the larger sensor.
    So the manufacturers are either putting more quality into the full framers, or they are compromising something to get the 14 to 17 megapixels in the cropped sensors just to boast more horsepower and sell more cameras to the masses.
    If I were shopping for a sports car even in today’s economy I honestly don’t think I would go with the V6 over the V8 just because it might get better gas mileage or because I could buy two of them for the price of one of the top of the line models.
    After all back in the days of film, how many pros conciderd shooting APS over 35mm just becuase you could shoot a half roll of film and save the rest for later. If anything one dreamed of shooting medium format to raise the quality of ones shots.

  7. OK now my head is really spinning. I knew there was a lot to know about my camera and the lens I use but this is really in-depth. Thanks for the info it’s given me something to think about when the time comes to buy a new body.

  8. As a Sony user my options for FF are limited. I’m hoping the new a77 is a real hit, time will tell.

    1. Oops, ‘scuse me; I should read my own posts.

      Here’s what I meant to say :

      “Will a crop DSLR with a wide angle lens have the same field of view as a full-frame DSLR ?
      …… Barry

  9. I suspect that a full-frame sensor will always have a larger field-of-view, when the same lens is used on both cameras.

    But different story when the lenses are different.

    ….. Barry

  10. a77 not in category full frame but a77 spect like a pro camera. a77 not SLR but they call SLT…..What ever camera the beutiful colour still the best Fuji Pro camera….. Why Fuji stop production SLR camera ??????

  11. Head spinning really bad….just lost my Canon 50D, replaced with FF 5D, still have my tokina 11-16 F2.8 that was outstanding on that Crop body….what lens should I get for the FF that will give me the same wide angle field of view??

  12. Is a typical crop-frame body (Rebel) considered to have a sensor that is exactly half the size of a full-frame? Thus making the apparent zoom twice as much?

    I get all this sensor size stuff just enough to make my head hurt. 😉

  13. I would like to comment on Full frame advantage #4. Pro bodies. Well it is true the pro bodies only come in a full frame. With the new lower priced full frames from Nikon and Canon, this advantage is not really automatic as I know from the specs that my Canon 7D is much closer to a pro body then the Canon 6D. I was really sad to see them retire. The 5D Mark 2 as for a short time offered more advantages I believe then the new 6D for roughly the same far as what I want in a camera. Perhaps I will pick one up used. But for now I will stick with my 7D with it’s beautifully constructed body of magnesium allow (I have dropped it 2 or 3 times and not a nick)But I would like the other advantages of a full frame especially it is too bad it comes at such a high cost.

  14. Several years ago, I returned to taking photographs after a snapshot hiatus of many years. At the time, I had an old, but serviceable collection of Pentax K-mount lenses, so I purchased a Pentax K-10D, to be able to take advantage of the old glass. I now use a Pentax K5, and have acquired a few lenses (55-200 zoom; 50 prime) and accessories over the years, but reading your column, I am now concerned that I may suffer from crop frame disorder and be in need of a camera transplant. Not sure my bank account or learning curve could readily handle leaving the Pentax system for Nikon or Canon. Do I need to be concerned? What steps, short of a brand change and major expense, can I take to minimize any downside?

  15. Ok I have a question about lenses. I currently have a Canon rebel t2i and am considering buying a wide angle lens. I hope to someday upgrade my camera to be able to get the super sharpness that I feel I am missing but am wondering if the full frame lenses work on my camera why not spend the extra and get that so that when I do upgrade I am not needing to buy more lenses to go with the full frame camera? Make sense? Or do they not work as well with the crop dslrs? Thanks!!

  16. #3 under the benefits is incorrect, it is because the nicer cameras use pentaprism viewfinders so you get less light loss than you would get in a pentamirror viewfinder

    Same with #4 under the benefits, Canon makes the 7D which is very full featured and pro just in a crop sensor body.

  17. I’m so torn on the Crop vs FF, Seems I know all the arguments and reasons and whys etc but I’m still torn – I have picked a FF ideal set of D610 body and lenses but maybe I should buy the D7100 but STILL buy FX lenses or maybe go fully Crop aaargh – hmmm wish I wasn’t such a techy geek as I always talk myself into the best and most expensive options 🙂 Thanks for the balanced views here. In the mean time I’m gonna shoot the heck out of my D3000 to improve everything else I’ve read and tried, as its not the camera taking the pictures its the photographer yadda yadda haha :).

  18. Hey guys!

    Just logged on the website. I’m interested in the courses but need to know from you if it would help me in my line of work. I’m a crime scene Technician and use photography in that capacity. Unfortunately, my folks don’t move much and since I have to shoot them ïn-situ”, I’m not sure if the courses are for me. But I would like your input. Thanks.

    1. Author

      @Lou – If you’re a crime scene photographer, I’d recommend two of the classes: (1) The beginner class to get the technical stuff down, and (2) The LIGHTING CLASS! You won’t so much care about the posing part, but lighting is CRUCIAL for crime scene photography. For example, using off camera flash to shine light across the ground instead of keeping the flash on camera will show texture MUCH better (like blood stains, debris, etc).

      1. Thank you Mr. Harmer, I will sign up for the beginners course starting on November 13th. Thanks again!

  19. Thanks mate, loved the explanation on this blog without too much technisism etc.. very well explained.. !!

  20. Hi. Love the blog. One point though. I have been able to mount a couple of a friend’s EF-S lenses including a wide angle. However, when I opened it all the way I had a big black circle in the frame. In essence, it was as useless as with the Nikon. But still, I could mount it.
    Keep up the good work.
    Cheers, Denis

  21. Hi Jim,

    You wrote that crop sensor users do not get the professional features. but what about the Canon 7D? Seems to me that that is a crop camera aimed at the pro market.

    Cheers, JP

    PS Love your podcasts

    1. Author

      @JP – I’d disagree.

      The Canon 7D uses the same sensor in the Canon Rebel T2i, T3i, T4i, and the 60d. The sensor is quite outdated.

      On top of that, the focus system in the 7d isn’t anywhere NEAR that of the 5D Mark III or the 1Dx.

      I could go on and on.

      I’m not trying to say the 7D isn’t a good camera. It’s awesome! But I’m saying that it isn’t anywhere close to as feature packed as the higher end cameras.

      I’d love to see Canon make a REALLY powerful crop sensor camera–even if it is more expensive.

    1. Thanks Tim that has to be the best presentation on the subject I have come across. I use a Canon 7D and been looking at upgrading, now I realise I don’t need to, but instead improve the guy behind the camera

  22. Lens availability IS NOT A PROBLEM for Full-Framed-Cameras… …but, lenses for FF-cameras MAY be more costly.

    1. Certainly not a problem for happy Pentax owners 🙂
      We have FF lenses stretching back over 5 decades

  23. Very helpful, and to the point. Thanks!

    I have a client that needs images to be between 18mp and 24 mp. I will be taking pictures of athletes, in static or moving situations. These images will then be made into posters ranging from 12×24 to 24×36 roughly, and also put on canvas(same sizes) I have been using a canon rebel EOS 8mp for years, and am very happy. Nikon has been dropping prices, so I’m not sure if i want to hump sides. Someone asked me if i wanted full frame or a crop sensor. I would like to get the body. Also, what lens would you recommend. Most of the shots will Not require a zoom, but sometimes, I may want to get a close-up, on the fly without changing lenses. Any help would be greatly appreciated. Thank you! Pete.

    1. @Pete,

      Check out the Canon 7D MII camera that meets the 24mp requirement and also brings extremely fast focusing along with improved ISO performance over other crop sensor offerings from Canon. If the $1,800 for the 7D MII is too pricey, the new Canon T6i that will be available in April offers a 24mp sensor now too at a cost of $750. I think either would be a fine choice for you here.

  24. Pete, I would recommend the canon 7d mark ii. Also I like watching videos on YouTube made by digitalrev you should look him up! Asian guy who is silly and knows his stuff about cameras!

  25. I’d like to know if you have yet got an opinion on the OM-D E-M5 Mark11. This appears to be what some Canon and Nikon fans are requesting from those makes. I have had a Olympus E30 for years and picked up several awards with it. But I need to upgrade. I was thinking about the 7D Mk 11 but now with the release of the E-M5 Mk11 I’m having another rethink as I can use the glass from my E Sytems. In the past I have shot mainly sport/action then some portraits, landscapes, weddings (which I have backed away from) and events. I now want to just relax when shooting so am thinking my priority now will be landscapes with just a little of the others. Landscapes was why I was thinking the 7d Mk 11 But …………………………..??? I’d would appreciate your thoughts.

  26. My local camera dealer is telling me I have a “half frame” camera, and due to this, I must multiply all mm sizes by 1.3. Meaning if I buy the 10.5 Nikkor fisheye lens, I’m really getting a 13.65mm view. Is this true?
    (I have a Nikon D2x)

  27. Very concise and complete overview of the options. Very helpful! thanks

  28. What about the 1.3x APS-H sensor that Canon used in its 1D bodies up to the Mark iv, after which they dropped it and merged the 1D (fast-shooting) and 1Ds (High-pixel count) lines in the 1Dx. For me the APS-H format is the ideal compromise, and combines many of the benefits of 35mm-equivalent (low noise, ability to shoot at higher ISO, wide angles are wide, narrow selective-focus is easily achieved) with APS (greater telephoto reach, excludes the worst part of the image circle with “Full Format” lenses, ensuring good corner sharpness).

  29. Quite a great post. Thank you.

    I didn’t know about the greater depth of field, but now that you mentioned it, I can believe it. Thank you!

  30. Good explanation with the exception that “mostly useless” overstates the functionality of Nikon APS-C lenses on Full Frame bodies. While using those lenses, for the most part, will cause heavy vignetting, most newer Nikon Full Frame bodies will detect the APS-C lens and crop the photo thereby matching an APS-C body but with correspondingly lower resolution. In the case of the D8X0 cameras, this results in a very usable 15MP +/- image while also increasing the image capacity of the buffer.

  31. hi, i just recently upgraded to a canon 6d which is a full format camera.
    how do i know what lenses will fit it, what am i looking for to make sure the lens is a full frame?

    1. Author

      You’ll need to get a lens that says EF on it, not EF-S. That’s how you know.

      1. And the 6D hits a sweet price-point for a FF DSLR, so long as you aren’t doing much action photography. I’d definitely buy another one vs a 5DIII.

  32. I have a nikon D3300, it’s a crop sensor camera and I was wondering if I should upgrade to a full frame for night sky photography?

    1. Nope. You don’t need to upgrade unless you’ve explored your camera thoroughly and you know it thoroughly, by which point you will not have to ask if you need to upgrade, you’ll just know. So if you’re asking, you definetly don’t need an upgrade – get a wider good prime lens perhaps? Rokinon 14mm f/2.8

  33. Currently, I’m looking at picking up either a full frame or crop sensor camera, so this segment was helpful indeed. I tend to keep my cameras (and vehicles) for 10 years or more. Was recently looking at a site reviewing the differences between the crop censored Canon 70D, vs the Nikon (full framed) D750. There is a considerable difference in price of course, ‘plus’ I would have to pick up lenses for both, albeit, I see many on Ebay for affordable prices. I don’t necessarily have a specific budget on my purchase price, but I would like a good result at the end of the day, of which I believe either camera can/would produce. I will say up to this point I’ve had several Canon ‘point & shoot’ cameras, going back to the day I had my Canon AE-1 SLR, which I still have, plus lenses for it as well, albeit all being manual of course. At any rate, it would be nice to know which choice is the right way to go…for longevity, as I will keep the camera for a very long time for sure. I do tend to take scenery photo’s more than any other to date, but currently have grandchildren, of which more video will be taken in the future of them, and any sports they choose to take over the years.

    1. The irony is that the old Canon FD lenses are about the only really common mount of lens that, because of the mount’s short flange focal distance, cannot be used on the common brands of DSLR and reach infinity focus using a plain adapter. An adapter with optics that effectively increases the lens’ focal length (and projects the focal plane backwards) is needed. This is not an issue with mirrorless cameras because these all have much shorter FFDs, which allows an adapter to fit between the back of the lens and the front of the camera with the lens close enough to allow infinity focus.

  34. Ur web site very. Important. Because. Its make acknowledble photograper.

    Thank you & Good luck
    From sri lanka

  35. “‘Those who simply prefer a crop sensor camera cannot get all the same ultra high-end features available on the full frame bodies. Ugh!”

    Well… the pentax k-3 and k-3II are pro aps-c bodies! I’d argue the D7200 and 7DmkII are virtually pro bodies as well…

  36. I am clearly very late to this whole discussion, you know you can still take a photo with a Box brownie and have a really great photo, it’s the image, the moment! The critical moment! Where did we all hear that.

    I am here as I wanted to know the difference between Lightroom and elements, as along with a number of other software apps I have walked a path, that leads me back to 35mm 645 and 6 x7, and a “wet” space again.

    It’s wonderful to read all these posts, but, it will always be the moment, nothing more

  37. I have a Nikon D300 . I’m a very amateur photographer and at 77 probably, not going to learn to be much better. I find that doing enlargements
    my photo’s are constantly being cut down in length loosing about 20 percent. Will a full frame camera salve that problem? It also sounds like, if I did go full frame I would not be able to use the lenses i have?

  38. Thanks! This was really a wonder discussion and insight into full vs. APS-C sensors.
    However, can anyone tell me whether megapixel size is more important than sensor size? Hypothetically, which would give me a “better” picture? A 12mp FX picture or a 24mp DX picture?
    Am I making the wrong assumption that the more mps the better the picture whether it was shot in FX or DX?

    1. @JMK,

      It really depends upon what you are shooting. If it is the Milky Way Galaxy, the 12mp full frame sensor will be better because it is significantly better in low light conditions. If you are shooting with plenty of good light, or using off camera flash, then the glass you have in front of the sensor will have more impact than that full frame vs. crop sensor. Part of the reason full frame sensors are perceived to be so much better than crop sensors has to do with the really good (and expensive) lenses used on full frame vs. crop. Crop sensor bodies have lenses that are cheap and not very good for image quality. If you put a really good lens on a crop sensor body and have good light, I would choose the more megapixels of the crop over the full frame myself.

  39. My EGO would love a Full Frame. My accountant however is dictating that a crop sensor is in my future. Best bet for me is to focus on the knowledge base, not the gear base.

  40. @Jim Harmer
    @Jeff Harmon

    On the last paragraph: “So in short, full frame cameras require full frame bodies.”
    I think you mean: “So in short, full frame cameras require full frame LENSES.”

    Amazing how in 5 years no one has noticed that. Maybe everyone reading this already has an stron opinion and is so eager to come to the comments that the end is always skipped.

    Hehe, just kidding, you guys rock and the podcast is great!


  41. मुझे अच्छा लगा की फूल फेम कैमरा और क्रॉप सेंसर में अंतर पर

  42. Wow a lot of great information here. I was just about ready to get the 5D M3…but something is telling me to wait until I get some feedback. I do a lot of family..portrait.. product and interior commercial photography. Currently I have the 50D…but wanted to go full throttle with a FF camera. Now that I am reading more…i am just curious to hear the opinions about getting the M3 over the 6D. Any thoughts?

  43. I saw a comment from Rocketride pertaining to mirrorless cameras….which I’m seeing online is the next evolution for camera systems……can these be used for professional photography or is DSLR the way to go for the pros?

    1. Thanks, Michelle – I was just about to say “And then came mirrorless cameras!” before I saw your note.

      It’s all too hard and I don’t care – whichever way it turns out, I have fun taking photos. So I’m hedging my bets – I have one of each – a full frame, a half frame and (shortly) replacing my compact with a mirrorless. Then it simply won’t matter any more, which one is “right” and whether the others are “wrong”.

      I’m far more interested in pursuing my photography – I have two projects running at the moment, and the greatest frustration is the weather, not the gear. The geckos I want to photograph with my macro lens have decided it’s not warm enough to sunbake and so they are hibernating – and my sunsets are being drowned by welcome autumn rains (I live south of the equator – autumn or fall or whatever is now, while you’re enjoying a northern spring).

  44. If my DSLR isn’t a full frame , does it make any change while viewing in monitor.

  45. This was very interesting and I will keep it in Mind when buying other lenses . I bought a Nikon D610 a month ago and what a difference in the quality of the pictures . I am happy with this camera . I am looking for a good close up lens (105)or closer at a reasonable price. I am sure that this camera will give me excellent shots .

  46. i am a photographer form Asia and i already used crop sensors camera for my first experience . know i upgrade my camera and i bought canon 5d mark iii 🙂 . the problem is what lens i should use for travel photography, filed activities and for indoor meetings, conferences.

  47. i am a photographer form Asia and i already used crop sensors camera for my first experience . Now i upgrade my camera and i bought canon 5d mark iii 🙂 . the problem is what lens i should use for travel photography, filed activities and for indoor meetings, conferences.

  48. I don’t quite get the wordings – that lens mounted (if allowed so) on crop sensor cameras give extra zoom compared to full frame cameras. Please clarify.

    Zoom as in magnification should be the same. I understand they get narrower angle. Zoom as in angle of view will be reduced ‘as if’ it was a real zooming compared to the wider angle of the same lens on full frame camera.

  49. I will be so ungrateful not to mention that I have been well informed by your, post, this will help me as I migrate from Samsung compact Cam to Nikon dslr camera. Thanks every one

  50. My doubt is: FX lenses will work for DX bodies, right? But they will work the same way or they change the angle of view?
    Is it applicable to a 50mm? And what about a 50mm macro?


  51. hello Guys I use a full frame Nikon 810 it is a beast what do u guys think about it,sorry about the typo. web site is under constructions

Leave a Comment