A few minutes ago, I got a message from my amazing assistant, Jesse. It said simply, “I kind of wanna slap this guy” along with the screenshot (above).
Here's what the screenshot says: “Hi Jim. I can't believe I just ordered photography instruction from someone who thinks compositing two photos together makes a good nature “photograph.” Freakin' Yikes! I have no words for what an idiot you look like to any photography community. But I guess you're profiting, right? Maybe law really is your first and primary calling…..”
Side note for those who don't know me: The law reference in the comment was about the fact that I'm an attorney who no longer practices law because I run this site full time.
I wish I could publish that photographer's name and email address, but unfortunately there are other photographers by the same name and I don't want anyone to be falsely accused.
Dear Photographer Who My Assistant Wants to Slap…
You aren't the first person to call me an idiot. In fact, you aren't the first one today. Frankly, some days I'd agree with you. I make some pretty dumb mistakes. I believe you've made one too.
Your mistake is believing that anyone who creates photography differently than you is an idiot. I'll explain why, but first, I want to introduce you to a few more “idiots.”
Trey Ratcliff Is An “Idiot”
Years ago, Trey Ratcliff started posting HDR images. At first, I was absolutely taken by them. I looked at everything he did and I was enamored with it. It was absolutely out of this world. I loved every shot he posted, and I wasn't alone. Millions of photographers from around the world love his work as well.
I learned a lot from Trey Ratcliff. I've used his products, read his blog posts, and learned from his videos. But you know what? I don't shoot like Trey Ratcliff anymore. I learned from him and eventually took a different direction in what I personally like in a photo. He shoots differently than me, so he must be an idiot.
He's an idiot who has shaped the course of the entire industry for the better, inspired millions of people to pick up a camera, and introduced far-flung areas of the world to people from thousands of miles away. And he's learned to use his creativity to provide for his family. What an idiot! Doesn't he even care about image quality???
Henri Cartier-Bresson Is An “Idiot”
Can I just be real honest here? I don't love street photography. Sometimes I see a really beautiful street photo, but it's rare. To me, it seems like most of the photos are just random comps of city scenes turned to black and white to make it seem more artistic. I just don't have an appreciation for it.
Therefore, Henri Cartier-Bresson is an absolute idiot. He shot differently than I do. He used technique that I don't, so he's an idiot.
His “idiotic” approach to photography changed the industry. It got him 3 decades of assignments from Life. It led him to photograph the tearing down of the Berlin Wall, world-wide upheavals, and the assassination of Mahatma Ghandi. Oh, and did I mention he made the idiotic choice of being one of the first to shoot 35mm? That standard will NEVER catch on!
Jeremy Cowart Is An “Idiot”
Ugh. This guy makes me sick. Jeremy Cowart only started doing photography full-time in 2005 and he's already done so much damage to the artform. I've seen videos where this “idiot” smeared goop on the front of his lens to achieve really unique looks. He is comfortable enough in his own skin to allow himself to try things that most photographers would never dare do. He feels confident working with his model and develops an instant rapport.
He's photographed the people of Rwanda and Haiti, and helps many thousands of people through his Help-Portrait events.
He has helped millions of people around the world with humanitarian efforts, and millions more have had a good cry at their computer screens as we get to enjoy the tremendous images he produces. He's my photography hero…. and he's an idiot.
Am I An Idiot Too?
I'm not much of an idiot. I'm frankly not doing things different enough to be considered a royal idiot like Henri Cartier-Bresson or Jeremy Cowart. Sometimes I struggle to create truly unique images. I'm not as good as they are, but I'm learning and improving each day.
I might not be shaping the course of the photography industry. Some day I hope to, but today I'm just enjoying photography the way I like to enjoy it, and helping millions of photographers who visit this site to have the confidence to enjoy photography how THEY like. And one of the techniques I enjoy using is compositing. Yes, even landscapes (GASP!).
Maybe I'm becoming an idiot. You helped me to realize that today, Photographer Who My Assistant Wants to Slap. Why?
- I don't set my white balance. I shoot on auto white balance and fix it in post. It's rare that I set it. Why? It works for me. When I'm in the field I'd rather focus on composition and light, and change whibal later. Freakin' yikes! What an idiot!
- I only use my calibrated monitor settings for printing. Most of the time I go uncalibrated because I want my screen to look as bright as people's screens are who will see my photo on Facebook. Idiot!
- I don't shoot full frame anymore. I moved “down” to a crop sensor Fuji because they are lighter and easier to pack. What an idiot. I must not care about image quality at all! Freakin' yikes!
- Along with a group of extremely talented individuals like Nick Page, Erica Kay, Connor Hibbs, Jeff Harmon, Sandy Dorau and others, I produce a photography podcast 5 days a week. Yep, an audio show about something visual–photography! Idiot! That won't work! (If I had a dime for everyone who told me that before it blew up and attracted tens of thousands of listeners a WEEK!)
Just to be crystal clear–there are areas of photography where compositing would NOT be appropriate. Compositing President Obama into a shot with Kim Jung Un? Ill advised. Why? Because it purports to tell the truth when it does not.
Is compositing landscapes unethical? It would be if you lied about it. But that's not what I've done. I send out an email newsletter each week showing my favorite shot of the week and what it looked like straight out of the camera. I've talked about compositing on dozens of podcasts, in multiple articles, spoken about it at photography conferences, Facebooked it, tweeted it, Instagrammed it, you name it. Check out my portfolio. You'll probably see 3 or 4 composites in there.
I've been blessed to find tremendous success in photography, and much of that has been because I've decided to simply shoot for ME. I approach photography with the techniques that I enjoy, and I'm grateful to the Improve Photography Community of over 1 million followers on social media who have found friendship here among other photographers who also like to shoot differently. In fact, I was recently honored to be ranked among the top 40 most popular photographers in the world.
If I am open and honest about my approach to photography, why does it still make you so angry?
Live Life Like an Idiot
It's not too late for you, Photographer Who My Assistant Wants to Slap. I can talk to Jesse and stop the corporal punishment 🙂
But you're not alone. Ever since I started Improve Photography in 2010, I've been berated with the same vitriolic drivel that you spread throughout the industry.
I've come to embrace my idiocy. I'm a baby idiot, but I'm getting dumber every day. I'm learning to allow myself to do “wrong” things in photography. Things that are different from the common wisdom. Things that are cutting edge and scary to those lost in a sea of “rules” that keep their photos from being unique.
Be An Idiot
- Don't like editing at all and just want to shoot in JPG? That goes against what most people in the industry are doing. Do it anyway. If it's how you like to make art, then knock yourself out!
- Really like visiting the popular photography spots around the world and don't like it when people tell you your images aren't unique enough? Do it anyway. If you ENJOY shooting those locations and YOU like putting your own spin on time-proven photo locations, then shoot it!
- Tired of people telling you that your flash is too bright in all your shots and you need to blend the flash with the ambient more? Listen to them. Learn what they're suggesting. But if in the end that's just how you like to shoot, then don't let anyone stop you.
Learn from everyone. LISTEN to comments from other photographers. Try out new things even if you don't like them at first. But at the end of the day, be you.
Dear Photographer Who My Assistant Wants to Slap, come be an idiot with me. Let's dare to enjoy photography how we want to enjoy it, and maybe–just maybe–we'll find our place in this fantastic artform.
Until then, keep hatin'.
Jim Harmer
P.S. Come check me out on Instagram! I've been way too slow to catch on to Instagram, but I've really enjoyed seeing the work that you all are doing and I'm on there every day now. I'm checking the #improvephotography hashtag regularly and following as many of you back as I can.
P.P.S. Just in case the sarcasm didn't come through, I'm praising Trey Ratcliff, Jeremy Cowart, and Henri Cartier-Bresson. They are absolutely amazing people who approach photography differently than I do, and they've enjoyed tremendous success. Cheers to them.
P.P.P.S. Thanks for the “Freakin' yikes!” comment. I'm going to say that all the time now. Freakin' yikes!
Freakin’ Yikes! is a very catchy phrase.
So here’s the thing….compositing is not my thing. In fact I like to keep things as close to “the real” thing as possible. BUT I have learned so much from you its crazy!
I learn what I need to learn from you and leave the rest.
People are so critical these days. I try to appreciate everyone’s photography because they are doing what makes THEM happy.
If people get enjoyment from my photographs then that’s a huge bonus.
I too am getting into the Instagram thing way late (ummmm like just set up my account this week late).
If you want to follow me… theshelleyproude.
And/or like my page on Facebook: Destination: by Shelley Proude.
Have a great day…idiot. ?
I think I must’ve an idiot too Jim because I would give my left _____ to be as talented and knowledgeable as you and the rest of the crew at IP. I guess there’s one in every crowd!
Dear Idiot Jim – thanks for daring to switch to Fuji, as it inspired me to rethink my world. I discovered mirrorless/Fuji worked for ME, and even my wife noticed I was like a giddy kid with my camera. I even shoot JPEGs of low light HS football games, edit them in LR (GASP) and have sold them to football parents with drastically reduced post time and my life back again in the fall – Freakin YIKES !!!
Great article BTW – cracked me up 🙂
Love the post and comments. We participate in photography because of the joy it gives us, and hope it brings some joy to others. There should be no rules that constrain creativity and no singular definition of beauty. If our tastes and preferences are different, we are free to pursue our own interests, without disparaging those of others.
Ya done flamed the guy, dude.
Back before I moved to a larger city, I was learning in a city that even Jimmy Buffett says isn’t a place to be. I talked with the local photography clubs and one of their members snatched my camera out of my hand, told me the Nikon wan’t what I should have, and that I would need to sell it. Don’t worry, he had a friend that would give me a good price and that he had some Canon equipment he could sell me. He told me that using a strap like mine was stupid, I use the same blackrapid to this day, and that I need a neck strap. Obviously, I need to pay for lessons from him. Yada yada yada.
I explained that I was taking some online courses (Thanks for those Jim), that I liked Nikon, and if he didn’t give me my equipment back, we would have words.
I have had “professional” photographers in that area try to trip me at sporting events (A monopod is great for explaining the facts of life in those situations), ridicule my work as amateurish and childish. Yet, I have won a couple contests, gotten a couple photos published. and have respect of peers in a much larger area. I don’t make a living doing photography, but I don’t really want to. It is my hobby and I must be an idiot to do such. 🙂
We, as photographers, have different opinions and different needs. You find what woulds for you and learn your craft. We can give our experience, but it comes down to what you like.
For example, I have no idea what Jim sees in Fuji 3/4s. But I am 6′ 3″ and it is like holding a child’s toy. I like pro frames because they fit my hands better and the weight makes not much of a difference to me. We are different people with different needs.
It all comes down to what your personal preference and needs.
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