10 Myths that Famous Photographers Teach
What is true for one person is probably not true for another person. This raises problems in learning photography, because most beginners learn from the “famous” photographers. The problem is that the solutions used by professionals to fix professional problems often aren’t the solutions that 95% of their listening audience should use. This post is a list of a 10 things I’ve heard “famous” photographers recommend to amateur photographers in the last month, and why I think there are better answers for an amateur.
I don’t have every lens ever made like Scott Bourne, or a giant production crew like Jeremy Cowart, or the resources to travel the world for the best photography locations like Trey Ratcliff. While I receive most of my income from photography, I am not all that different from most of you. I do what I can to save money on gear, I don’t have an assistant for most of my shoots, I don’t own a studio, etc.
I mentioned these three photographers by name because I LOVE reading their stuff, watching their videos, and reading their books. I’m a better photographer because of them and other photography instructors on the interwebs. I’m grateful that they are willing to share their knowledge. However, I believe that many (not necessarily the ones I mentioned) “famous” photography instructors are so out of touch with 99% of photographers, that they give advice that leads amateurs astray. Most photography learners shoot for a hobby, and many of the photographers who earn money from photography do it only as a part-time gig.
Here is my list of 10 ridiculous myths that are often taught by “famous” photographers, which may be perfectly true for them, but which aren’t necessarily the best advice for 99 % photographers.
Photography Myth #1: You don’t need more than 10 megapixels. Without any doubt whatsoever, I would prefer one stop of increased low light performance to 3 more megapixels any day of the week. Low light performance is extremely important; however, most photographers don’t have the budget to buy expensive $8,000 supertelephoto lenses, so when photographers go shoot their son’s football game or the owl in the city park, they need megapixels to be able to crop in tight. Megapixels are extremely valuable to photographers who want telephoto results on a budget.
Photography Myth #2: You need a Drobo or a Raid-based hard drive system to back up your photos. I included this myth in here because one of my BEGINNING photography students with a Canon Rebel XTI approached me a few months ago asking for help in setting up his Drobo. I was surprised that a beginning photographer with a low-megapixel camera could have so much data that something so overkill as a Drobo was necessary. Turns out he heard from a “famous” photographer’s podcast that the Drobo was the fastest backup system. That’s probably true, but this photographer only had 30% of his internal hard drive filled. He had absolutely no need for something like a Drobo. I’m sure Drobo is a terrific product, but let’s face the fact that most photographers haven’t filled their internal hard drive, and if they have, they can pick up a brand new 1 TERABYTE hard drive for just $100. (NOTE: Several people commented below saying that a Drobo is more about backup than increased storage. I get that, but if you don’t have more data than fits on your internal hard drive, there are MUCH simpler and cheaper ways to back up, like using Carbonite).
Photography Myth #3: You HAVE to shoot in RAW for quality results. I need to preface this point by saying that I shoot everything except sports in RAW. I do that because I use Lightroom and Photoshop and I feel that I need the extra latitude in editing power. Many beginning photographers will only be frustrated by the extra work that RAW requires. JPEG is terrific for many beginning photographers, or photographers who aren’t technically apt.
Photography Myth #4: Shoot in RAW so you can change the white balance after the fact. Ugh! You can easily change the white balance on a JPEG. The only difference is that the edit on the JPEG file will be “destructive” whereas RAW editing is “non-destructive.” The practical result in a white balance adjustment done to a JPEG compared to the same white balance adjustment done to a RAW file will be absolutely imperceptible. (NOTE: Someone commented below to disagree with me on this point. I simply emailed him 5 photos. Some of them were white balance adjusted from the RAW, and some of them were white balance adjusted from the JPEG. The results? Indistinguishable).
Photography Myth #5: You should buy X focal length. Over 70% of the readers of this website, and probably most photography websites, use crop frame cameras. Many pros use full-frame cameras. I often hear pros recommend a certain focal length and realize that they are not taking the crop into consideration, and thus their lens recommendation will lead the reader astray. For more information about this, check out this article on full frame and crop sensor cameras.
Photography Myth #6: You need to calibrate your white balance for every lighting situation. Are you kidding? I rarely feel the need to set a custom white balance. In fact, the only time I do it is when working in a studio (how many of you are shooting in a studio? Not many…) or when doing product or commercial photography. In these situations, the lighting is being controlled by the lights and likely will not change (at least on quality strobes) during the shoot. In these specialized cases, it makes sense. But if I see one more of my beginning students whips out a gray card for a beginning landscape class, I’m gonna scream. It will only distract you from doing the things that will actually improve your photo.
Photography Myth #7: You need to buy the full version of Photoshop. Most people who perpetuate this myth obviously haven’t read my article on the differences between Photoshop and Photoshop elements. Again, I’m a hypocrite. I use the full version of Photoshop because there are a few features that are convenient for the type of work that I do; however, most hobbyist photographers or photographers who only rarely do paid work will be perfectly happy with Photoshop Elements. You’d be surprised at how slight the differences are.
Photography Myth #8: You want to know, in excruciating detail, their recommendations for packing thousands of dollars worth of photography gear for travel in an airplane. Thanks for the advice, but most of us don’t regularly travel with 10 large packs of photography gear. It seems that this is the most common blog/podcast/video topic on every “famous” photographer’s website. How many times do we need to see the solution to a problem that most photographers will never face?
Photography Myth #9: Your histogram should lean to the right. I can’t tell you how often one of my students asks for help in shooting a situation because the histogram isn’t leaning to the right. Ugh! If you’re shooting a gray card, then sure… Your histogram should have one large hump leaning slightly to the right. That’s true. This is important to high-end photographers who need to capture technically perfect photos for commercial clients, but it only distracts amateur photographers from focusing on the important aspects of learning photography. The truth is that all you need to look for in checking the exposure on your LCD is that the detail is kept in both the highlights and shadows. In fact, I only check the histogram when shooting night photography and when taking landscapes that include the sun in the photo.
Photography Myth #10: You need to have worked in a dark room to fully understand printing. Uh… nope. You don’t need to have worked in a dark room to know how to print properly. It’s pretty far-fetched to say that you need to know how to physically burn and dodge in the darkroom to know how to grab the burn or dodge tool in Photoshop to touch up a photo.
If you enjoyed reading this article, then check out this article about famous photographers.