If anyone in my classes is interested in portraiture, I usually tell them that the best piece of gear they can buy to improve their photography is a simple reflector. Â When they hear that a good one only cost about $25, they run out and buy one…. then, I know it's coming.
They come into class the next week and ask when to use each of the colors on their reflector. Â Let's settle this one. Â First of all, I need to point out that some reflectors have 5 different materials on them that can be removed and changed out to use a different material via a zipper. Â Other reflectors just have one color. Â I personally recommend the Westcott 5-in-1 reflector for size, versatility, price, and durability. Â I've tried other brands and they don't seem to be as durable in my experience.
The White Side
I use the white side most of the time, but I usually recommend that beginners use the silver side in most situations. Â The white side casts a very soft, clean light at the model and is useful in studio where flash is used, or when there is ample light outside like during a sunny noon-time shoot.
The reason I usually get beginners started off on the silver side is that beginners rarely put the reflector close enough to the model, so the white side shows no effect at all. Â Also, the white side is useless in low light situations unless it is extremely close to the model's face.
The Gold Side
The metallic gold material casts a very strong warm light onto the subject. Â Every time I decide to get fancy and try the gold, the subject ends up with a radioactive-looking gold face. Â I have seen some reflectors with a zig-zag white/gold side that I'd like to try, but I haven't given it a shot yet.
I have used the gold side with success only a few times for sunset portraits when the sunset was very yellow. Â Other than that, it is not overly useful in my practical experience.
The Black Side
The black side isn't a reflector at all. Â It's an anti-reflector. Â Photographers use a black reflector to cast a shadow on certain areas of the image. Â For example, if the lights are producing too even of a light on the model's face, a the black side of the reflector can cut out the light on one side to create more artistic shadows. Â If you want to sound like a photographer who is in-the-know, you should call the black side of a reflector a “flag” when used for this purpose.
The Silver Side
As I already mentioned, I recommend this side for beginners who never seem to realize how close the reflector should be placed to the model. Â The silver side is terrific for shooting in low light or where a strong light is needed; however, the light is often too strong for mid-day shooting unless it is feathered away. Â Many photographers use the silver side more than any other, but I personally end up using white more.
The Translucent Center
When you zip off the reversible material on a reflector, the middle of the frame is a translucent material called a diffuser. Â This side of the reflector is usually held directly above the subject to soften the sun's natural light. Â It will always go between the light source and the subject.
I use the translucent diffuser quite commonly. Â When I shoot sunset portraits on the beach, the wind is often too strong to use an umbrella or a softbox, so I like to use the diffuser as a convenient way to soften the hard light produced by my bare strobe when I'm in a pinch.
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