Most portrait photographers proliferate lenses like crazy, but every time I talk with other professional photographers, I ask them what lenses they take to a typical shoot.
90% of the time, they have the same lenses in the bag. Â I’m the same way. Â Personally, I’d feel perfectly comfortable taking any portrait job in the world with just a 24-70 and a 70-200 in my bag. Â Throw in an 85mm prime and we’re really in business.
If you’re looking at buying a portrait lens, I’d really recommend not going too cheap. Â If you can scrap and save up to buy a 24-70 or a 70-200, you’ll get a lens that will last you for many years and is so incredibly versatile that it’ll save you from buying other lenses.
Last, you have to choose to get the name brand (Canon or Nikon) or the Tamron or Sigma.  Personally, I like the new crop of Tamron lenses.  I’d be very happy shooting a Tamron 70-200 for $1,000 less than the Canon with only a slight optical difference.
Lens shortlist reviewed October 10, 2026. Budget amounts in this older guide's title refer to its original publication, not current offers. These are options to compare, not a claim that every lens was personally tested. Confirm the exact mount, model, seller, condition and return policy. As an Amazon Associate we earn from qualifying purchases.
Canon EF 50mm f/1.8 STM
A simple prime to consider for portraits and available-light work. On a crop-sensor DSLR it gives a tighter view than on full frame.
Mount: Canon EF
Tradeoffs
- A fixed focal length cannot replace a zoom; check your working distance.
Canon EF 85mm f/1.8 USM
A short telephoto portrait option when you have room to step back from your subject.
Mount: Canon EF
Tradeoffs
- Indoors or on a crop-sensor body its field of view can be tight.