Snore! I’ve heard it before… people turn up their noses at my photography because I Photoshop my images. The ignorant remarks lack an understanding that there are extremely few professional photographers who don’t use digital image editing techniques. If you’re ever faced with these whiners, consider arming yourself with the following arguments.
First, no photograph is realistic. Was that sunset really that vibrant? No, the photographer changed the white balance in the camera to make it look more colorful. Was that lion really 3 feet away from the camera? No, the photographer used an extremely long lens to make the lion seem close to the camera. Was that football really frozen in mid-air while making that catch? No, the photographer used a fast shutter speed to freeze the action. You get the idea… everything photographers do is about creativity–not reality.
The natural response you will receive from this argument is “Well, those changes are made in the camera, not the computer!” How do you answer that? Repeat after me: “So what!” What difference does it make whether the photographer makes them in the camera (which really IS a computer) or on a desktop? None, really. What your opponent really means by saying you made the changes in camera instead of the computer is that it takes skill to make them in the camera, but not the computer. This is a good time to educate your foe about Photoshop. It takes several years for anyone to really master this program and is arguably just as difficult or more difficult than making in-camera changes.
No one would fault Leonardo da Vinci for making the painting of Mona Lisa more beautiful than she was in reality. Why then is it such a big deal for a photographer to do the same? No one would fault a painter for making up a landscape instead of painting an exact replica of a real landscape, but for some reason, people fault landscape photographers for doing the same thing. A photo frame is a photographer’s canvas. Put in it whatever you choose.
Obviously, there are some types of photography that should not include image editing. For example, photojournalism. The key here is not to deceive the viewer because the photo is a part of a fact-dissemination effort. In this case, the antidote is transparency. If a news image is manipulated, the news organization is responsible for reporting the manipulation to viewers.
What do you think? Comment below and let me know if you think I’m wrong (or right).
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